Abstracts

The process involved in creating these Abstracts is entirely different from the plein air and more realistic paintings that I have been creating for years. It involves applying layers upon layers, with additions and intentional “destructions,” until a painting that finally “works” (at least to me!) emerges. 

These explorations are made possible, in part, by the use of cold wax as a medium. Cold wax, with the use of a scraper, makes the application of large swaths of paint possible. I had been finding myself more and more averse to using brushes – brush marks always seem so intentional and confining. 

In creating Abstracts, I find myself seeking ways to make marks with just about anything but a brush – large and small scrapers, stencils, leaves, stamps, sponges, crumpled tissue paper … virtually anything. I am constantly searching for new ways to make marks! 

The cold wax medium also lends itself to collage. One very enticing and exciting way to do this is by adding collaged gel plate images. The gel (or gelli) plate is a revelation! Gel plate images made with acrylic on tissue paper, often using stencils or virtually anything that leaves an impression on the gel plate, are wonderful additions to one’s visual vocabulary.  

All Abstracts are oil and cold wax on panel, sometimes on paper affixed to a panel. They are unframed and edge-painted so require no framing.